What a heading!
The first sound heard on opener “북극성 (Polaris)”—and indeed, quite a few songs on After the Magic—is an acoustic guitar, presumably not one of the MIDI presets used on To See the Next Part of the Dream. Before long, Parannoul fills the space with the most obvious of ersatz sounds: spotless cocktail piano rolls, slap bass, synthesized saxophones, all knowingly used as prompts to remember an older, more innocent era of technology. Yet in its slippery reference points—ambient music of the early home-computing age, shoegaze’s drum’n’bass software update, various phases of J-pop incorporating state-of-the-art electronics—After the Magic collapses the nostalgia wormhole, implying that, someday, 2023 will also be remembered as the good old days.
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